His face seems to be in every little corner of Ireland now, like a martyred saint. There in the Armagh County Museum, among the local paintings on exhibit, “The Poet” is clearly him, Seamus Heaney. I see other versions of that face appearing “like a slit-eyed potato” as he said of own countenance – on […]

Here is the order we will present our work: Welcome from Terri 100 Ways to Cook the Salmon of Knowledge (Nessa’s Piece) Clare’s Brewery Piece Tir na Scealta (Maureen’s Piece) Kelly’s Gaol Piece Weapons of Another Kind (Rachel’s Piece) Christmas is Cancelled (Mateo’s Piece) Cori’s Apple Orchard Piece Something Left (Dan’s Piece) Wild Bees (Kimberley’s […]

There was more than enough to see in Dublin. I tried my best to capture the moments I could.

Audience is essential in my field of work. If Theatre did not have an audience in any capacity then it would completely cease to exist. With Theatre being arguably one of the most human of art forms it clearly causes some kind of emotional reaction when an audience witnesses people on stage (or anywhere for […]

Of all the sisters in Dancing at Lughnasa, Rose was the most interesting to me. Though she is discribed as being ”simple”, it doesn’t draw away from her depth. She is pure and natural in all of her intentions. She is honest and does not have the desire, or will, to be duplicitous. Even her […]

If I had to say which play I liked the most, I’d say it would be Dancing at Lughnasa. I really enjoyed Lughnasa for many reasons including its use of strong Irish archetypes, the texture of the time period, and the subtle subtext behind the small conversations we see. Freil’s character work drew me in […]

We are not isolated performers, putting on a show with unlimited budget for noone to see. The audience is there, a breathing part of the theatre, and is one of the most important considerations in any theatrical piece. They can be provoked, abused, amused, shaken or pleasantly entertained but the key in all of those […]